{"id":3785,"date":"2026-05-14T10:58:12","date_gmt":"2026-05-14T09:58:12","guid":{"rendered":"https:\/\/fuerteventurafilmcommission.es.82-165-173-245.test.mosca-dev.com\/formacion\/1o-edicion-taller-de-ayudante-de-direccion\/"},"modified":"2026-06-12T08:58:50","modified_gmt":"2026-06-12T07:58:50","slug":"1o-edicion-taller-de-ayudante-de-direccion","status":"publish","type":"formacion","link":"https:\/\/fuerteventurafilmcommission.es\/en\/formacion\/1o-edicion-taller-de-ayudante-de-direccion\/","title":{"rendered":"1st Edition \u2013 Assistant Director Workshop"},"content":{"rendered":"<p>Designed for individuals interested in entering the field of film directing, as well as industry professionals and short film directors who wish to gain a deeper understanding of the responsibilities and functions of film direction.<\/p>\n<p>Duration: 20 hours<\/p>\n<p>Target Audience: Beginners and industry professionals.<\/p>\n<p>Registration Period: 24\/06\/24 08:00h \u2013 30\/06\/24 23:50h. Participants will be accepted on a first-come, first-served basis.<\/p>\n<p>Course Dates: 15\/07\/24 \u2013 19\/07\/24<\/p>\n<p>Schedule: 16:00h \u2013 20:00h.<\/p>\n<p>Venue: Classroom 3, UNED \u2013 Fuerteventura Training and Conference Centre<\/p>\n<p>Instructor: \u00d3scar Santamar\u00eda. Canary Islands Audiovisual Cluster<\/p>\n<p>Format: In-person<\/p>\n<p>Course Programme:<\/p>\n<p>CONTENTS<\/p>\n<p>ASSISTANT DIRECTORS<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Other departments within the production team.<\/span><\/li>\n<\/ul>\n<p>THE SCREENPLAY<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Script page eighths.<\/span><\/li>\n<li><span style=\"color: #666666;\">Scene numbering.<\/span><\/li>\n<li><span style=\"color: #666666;\">Script versions.<\/span><\/li>\n<li><span style=\"color: #666666;\">Script breakdown.<\/span><\/li>\n<li><span style=\"color: #666666;\">Key elements to consider.<\/span><\/li>\n<li><span style=\"color: #666666;\">Stripboard and requirements breakdown.<\/span><\/li>\n<\/ul>\n<p>LOCATIONS<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Scouting vs. Recce.<\/span><\/li>\n<li><span style=\"color: #666666;\">Key elements to consider.<\/span><\/li>\n<\/ul>\n<p>THE SHOOTING SCHEDULE<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Scheduling methods and formats.<\/span><\/li>\n<li><span style=\"color: #666666;\">Types of shooting days.<\/span><\/li>\n<li><span style=\"color: #666666;\">Constraints and limitations.<\/span><\/li>\n<li><span style=\"color: #666666;\">Case study analysis and practical examples.<\/span><\/li>\n<\/ul>\n<p>CAST AND EXTRAS<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Cast profiles and breakdowns.<\/span><\/li>\n<li><span style=\"color: #666666;\">Casting processes and talent agencies.<\/span><\/li>\n<li><span style=\"color: #666666;\">Working with minors.<\/span><\/li>\n<li><span style=\"color: #666666;\">The assistant director&#8217;s relationship with cast members.<\/span><\/li>\n<\/ul>\n<p>PRE-PRODUCTION<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Pre-production schedule.<\/span><\/li>\n<li><span style=\"color: #666666;\">Working relationships with other departments.<\/span><\/li>\n<li><span style=\"color: #666666;\">The assistant director\u2019s role during pre-production.<\/span><\/li>\n<\/ul>\n<p>THE CALL SHEET<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Structure and contents of the call sheet.<\/span><\/li>\n<li><span style=\"color: #666666;\">Formats and templates.<\/span><\/li>\n<li><span style=\"color: #666666;\">Transport orders.<\/span><\/li>\n<li><span style=\"color: #666666;\">Advance notices and distribution.<\/span><\/li>\n<li><span style=\"color: #666666;\">Analysis of practical examples.<\/span><\/li>\n<\/ul>\n<p>OTHER ASSISTANT DIRECTING DOCUMENTS<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Sides.<\/span><\/li>\n<li><span style=\"color: #666666;\">Day-Out-of-Days (DOOD) reports.<\/span><\/li>\n<li><span style=\"color: #666666;\">Daily production reports.<\/span><\/li>\n<li><span style=\"color: #666666;\">Shot lists.<\/span><\/li>\n<\/ul>\n<p>PRODUCTION \/ SHOOTING<\/p>\n<ul>\n<li><span style=\"color: #666666;\">Responsibilities of the Assistant Director.<\/span><\/li>\n<li><span style=\"color: #666666;\">On-set workflows and production dynamics.<\/span><\/li>\n<li><span style=\"color: #666666;\">Lock-ups and perimeter control.<\/span><\/li>\n<li><span style=\"color: #666666;\">Radio communication protocols.<\/span><\/li>\n<li><span style=\"color: #666666;\">Meal and dinner breaks.<\/span><\/li>\n<li><span style=\"color: #666666;\">Directing and managing extras.<\/span><\/li>\n<li><span style=\"color: #666666;\">Professional conduct on set.<\/span><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p>INSTRUCTOR | \u00d3SCAR SANTAMAR\u00cdA \u2013 Widely regarded as one of the most respected Assistant Directors in the Canary Islands, with extensive national and international experience and a solid teaching background. He worked on his first feature film as a trainee Assistant Director in 2010, after which he continued to build a career across all areas of the Assistant Directing Department. His credits include major international productions such as Solo: A Star Wars Story (Ron Howard, 2018) and Asteroid City (Wes Anderson, 2022), Spanish productions including Gernika (Koldo Serra, 2016) and Palmeras en la Nieve (Fernando Gonz\u00e1lez Molina, 2015), as well as acclaimed auteur films such as La Viajante (Miguel Mej\u00edas, 2019), Blanco en Blanco (Theo Court, 2019) and Rendir los Machos (David Pantale\u00f3n, 2021).<\/p>\n<p>IMDb: https:\/\/www.imdb.com\/name\/nm5480337\/<\/p>\n","protected":false},"featured_media":3786,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"anio_formacion":[191],"class_list":["post-3785","formacion","type-formacion","status-publish","has-post-thumbnail","hentry","anio_formacion-191"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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